Editing and post-production
Corporate, product, event, testimonial and social edits from your footage or ours, cut for the purpose and the platform.
Editing, colour, sound, subtitles and platform versions for Sharjah businesses, from Infynix Media's edit suites a short drive away in Ajman, with our own crews available when something needs filming.

Sharjah businesses often have the footage and lack the edit. A manufacturer in SAIF Zone or the industrial areas has a plant walkthrough shot on a phone, an exhibition stand filmed by a member of staff and a product demo that never made it past the raw files. A school has a year of events on a hard drive. A clinic has testimonials nobody cut. What they need is a professional edit, in Arabic and English, in the formats the platforms want, on a deadline.
Infynix Media edits video for Sharjah businesses from our suites in Ajman Free Zone, a short drive away. Editing, colour grading, sound design and mixing, subtitles and captions, motion graphics, Arabic and English versions, and the full set of platform cutdowns from one master. Where the footage does not exist or is not usable, our own crews film it, in Sharjah, with our own kit.
Post-production for Sharjah has its own emphasis. Arabic is the first language of a larger share of the audience than in Dubai, so subtitles and on-screen text have to be composed for the script rather than pasted in. Manufacturers and traders need product and capability films that work for buyers across the GCC. Education and healthcare have rules on what may be shown.
We work with manufacturers and industrial suppliers, traders and distributors, schools and universities, clinics and hospitals, retailers and restaurants, and the agencies and in-house teams in Sharjah that need editing capacity they can rely on.
What the content has to do, and for whom, before a camera comes out.
Shot by our own team, on location, not assembled from stock.
Cut for the platform it will live on, in the language it will be watched in.
Published with paid amplification behind whatever performs.
Corporate, product, event, testimonial and social edits from your footage or ours, cut for the purpose and the platform.
Consistent, brand-appropriate grades that survive a phone screen and an exhibition display.
Dialogue cleaned, music licensed, mixes delivered to platform loudness standards.
Arabic and English subtitles composed for the script, burned in or delivered as files.
Lower thirds, title systems, data visualisation and animated logos in both languages.
Every ratio and length for Instagram, TikTok, YouTube, LinkedIn, website and displays from one master.
Phone footage stabilised and corrected; archives organised and edited into usable content.
Our own crews in Sharjah for the footage that does not exist yet.
Subtitles, titles and text designed for Arabic typography and right-to-left layout.
Social edits in days, longer films on an agreed schedule, with revision rounds defined.
Phone, camera, drone, screen recordings and archive material cut together cleanly.
Licensed music and documented usage rights delivered with the edit.
Advertising, healthcare and education rules considered before publishing.
Title and caption systems delivered so in-house staff stay on brand.
Footage transferred and stored securely, deleted or returned on your instruction.
Masters, versions and project files in your storage.
| Edit | Typical turnaround |
|---|---|
| Social clip or Reel | 2 to 4 working days |
| Batch of monthly social content | 1 to 2 weeks |
| Corporate or capability film edit | 2 to 4 weeks |
| Event highlights | 3 to 7 working days |
| Product video set | 1 to 3 weeks |
| Testimonial series | 1 to 2 weeks |
| Archive project | Scoped per volume |
Plant walkthroughs, product demos and capability films for GCC buyers, cut from site footage.
Product and range videos for catalogues, marketplaces and WhatsApp sales.
Event films, admissions content and year-in-review edits from archives.
Testimonials, facility films and patient information within the applicable rules.
Monthly social content edited from the venue's own footage or our shoot days.
Reliable editing capacity for teams that produce more than they can cut.
One film or a batch of clips, scoped from the footage and the brief.
A fixed volume of edits each month with predictable turnaround.
Editing plus a shoot day with our crew where the footage does not exist.
A backlog of footage organised and edited into a library of usable content.
Sharjah's audience reads Arabic first. Subtitles generated automatically and pasted into an English layout arrive with the wrong typeface, cramped lines, broken right-to-left punctuation and timing that follows English speech rather than Arabic reading speed. The audience notices in the first three seconds.
We translate with native speakers, compose subtitles and on-screen text for Arabic typography and reading speed, mirror layouts where the design needs it, and check every version on a phone before delivery.
Not machine output pasted in.
Typeface, line length and punctuation handled for Arabic.
Subtitle timing set for Arabic, not copied from English.
Every version reviewed where it will be watched.
A Sharjah manufacturer selling to buyers in Saudi Arabia, Oman and Qatar needs a film that shows the plant, the process, the certifications and the capacity, and it needs to work on a phone in a buyer's office. Much of the footage often exists already: site walkthroughs, machine demos, exhibition stands, filmed by staff over the years.
We assess what exists, cut it into a structured capability film with titles, graphics and narration in Arabic and English, fill the gaps with a shoot day where necessary, and deliver versions for the website, LinkedIn, WhatsApp and the exhibition screen.
Years of site material turned into a film.
Plant, process, certifications, capacity.
A shoot day only where needed.
Website, LinkedIn, WhatsApp, exhibition.
Schools, clinics, restaurants and retailers in Sharjah generate footage constantly and publish little of it, because nobody has time to cut it. The economical model is a monthly editing retainer: the business sends what it filmed, we return a calendar of edited, captioned, platform-ready clips, and the account stays active without a production budget for every post.
Where the footage is not enough, a periodic shoot day with our crew tops up the library, planned around the events and seasons the business cares about.
Phone, camera or archive, transferred securely.
Edited, captioned, ready to publish.
A fixed volume each month.
Our crew when the library runs low.
Infynix Media's edit suites are in Ajman Free Zone, a short drive from Sharjah's industrial areas, SAIF Zone, Hamriyah and the city. That proximity matters for post-production: footage can be dropped off, reviews can be in person, and a crew can be on site in Sharjah the same day when something needs filming.
Clients work with a named editor, review cuts through a shared link with time-coded comments, and receive masters, versions and project files in their own storage.
Ajman suites a short drive from anywhere in Sharjah.
One person who knows your brand and footage.
Comments on the frame, not by email.
Masters and projects delivered to your storage.
Infynix Media is licensed in Ajman Free Zone, next door to Sharjah. Footage can be dropped off or transferred, reviews can be in person or online, and our crews can be on site in Sharjah when filming is needed.
The discovery call is free. Bring the hard drive.

We do not quote from a rate card. The footage and the brief establish the edit, the versions and the turnaround, and the proposal is a fixed price for that scope or a monthly retainer for a fixed volume.
Yes. Phone footage is stabilised, colour corrected and cut together with titles, captions and sound so it publishes cleanly, and we tell you honestly when something needs reshooting.
Yes. Subtitles, on-screen text and voice-over are produced natively in both languages, composed for Arabic typography and reading speed rather than pasted in.
Social clips in two to four working days, event highlights within a week, corporate films in two to four weeks, with revision rounds defined in the scope.
Yes. Our own crews and kit are a short drive away and can be on site in Sharjah, often the same day for straightforward shoots.
Yes. From one master we deliver every ratio and length for Instagram, TikTok, YouTube, LinkedIn, website, WhatsApp and displays, with captions correct for each.
Yes. Archive projects organise, catalogue and edit a backlog into a library of usable content, scoped by volume.
Yes. Transfers and storage are secured, access is limited to the editors on the project, and footage is deleted or returned on your instruction.
Ajman Free Zone, next door to Sharjah, with edit suites and crews available on site as needed.
Yes. Native Arabic and English voice artists are recorded to your edit, with the script reviewed for the audience, and the mix delivered to platform loudness standards.
Yes. Title, caption and end-card templates are delivered in your brand, in both languages, so in-house staff and other suppliers stay consistent between our edits.
Tell us what you are trying to grow and we will tell you honestly whether we are the right people for it.
C1 Building - Office C1 1F-SF6540, Free Zone, Al Butain, Ajman