Photography
Product, property, corporate, food and event photography with retouching and delivery in the sizes each channel needs.
Infynix Media produces brand films, modern UI/UX product designs, and 3D motion graphics that make your business look world-class. Outdated visuals and generic designs dilute trust and make it hard to stand out. Clean design and visual media build instant credibility and keep customers engaged.
OUR CAPABILITIES IN
Infynix Media
We audit your current systems, marketing, and funnels.
We architect a custom strategy bridging your exact gaps.
We deploy the tech, content, and pipelines required.
We seamlessly roll out the solution with zero downtime.
We track every metric to ensure it meets our strict KPIs.
We optimize the winning channels to compound your returns.
Infynix Media is the production division of Infynix Solutions in the UAE: photography, film, short-form, motion graphics, podcast and the post-production that turns a shoot into a year of publishing. The full catalogue runs here, from a single product shoot to a bilingual brand campaign, because the UAE is where our crews are.
The division exists because marketing without original media is marketing with stock, and buyers in Dubai, Abu Dhabi and Sharjah recognise stock instantly. Every campaign the agency runs and every website the technology team builds is stronger with real footage of real premises, people and products, in Arabic and English, shot for the platforms it will actually live on.
We work with real estate developers and brokers, hospitality and F&B groups, clinics and healthcare providers, retail and e-commerce brands, professional services firms and government-adjacent organisations across the Emirates, on a per-project or retainer basis.
Product, property, corporate, food and event photography with retouching and delivery in the sizes each channel needs.
Concept, script, casting, permits, shoot and post for brand films, ad films and corporate video, in Arabic and English.
Planned shoot days producing a month of Reels, TikToks and Shorts, cut vertical with captions in both languages.
Explainers, product animation, titles and data visualisation with Arabic typography and right-to-left layouts handled properly.
Recording, editing, mixing and distribution for Arabic and English brand podcasts, with video cutdowns from the same session.
Editing, colour, sound, subtitling and versioning for footage from our shoots or yours.
Filming permits, drone approvals, talent releases and content standards handled before a camera is switched on.
Every asset delivered to platform specification, with source media and project files handed over.
| Deliverable | Typical timeline |
|---|---|
| Product or property photography | 2 to 5 working days from shoot to delivery |
| Social content shoot day | 15 to 25 finished clips within 7 working days |
| Brand or corporate film | 4 to 8 weeks from brief to delivery |
| Motion graphics explainer | 3 to 5 weeks |
| Podcast episode | 3 to 5 working days from recording |
| Post-production only | 2 to 10 working days depending on scope |
Property films, drone footage, unit photography and agent content for off-plan launches and secondary listings.
Venue, room, dish and experience content for hotels, restaurants and attractions across Dubai and Abu Dhabi.
Product photography at volume, campaign films for Ramadan and Dubai Shopping Festival, and vertical creative for paid social.
Clinic films, practitioner profiles and patient education content within DHA and DoH advertising rules.
Leadership films, recruitment content, event coverage and podcasts for firms in DIFC, ADGM and the free zones.
A defined deliverable with a fixed scope and a set number of revision rounds, from a single shoot to a campaign.
A shoot day and a fixed block of post-production each month, with priority turnaround. Most brands publishing weekly settle here.
Concept to delivery for a seasonal campaign, planned with the agency team so creative, media and landing pages ship together.
Commercial filming in the Emirates is regulated, and the rules are not optional. Shoots in public spaces in Dubai need a permit from the Dubai Film and TV Commission, and many private locations, malls and landmarks have their own approval process. Drone footage requires operator certification and flight approval, and much of the urban airspace is restricted. Abu Dhabi and Sharjah have their own authorities. Content itself is governed by the UAE Media Council standards, and sector rules apply on top: healthcare advertising through DHA and DoH, real estate through RERA listing requirements.
We handle permits, location agreements, drone approvals, talent releases and content compliance as part of production, because a shoot that is stopped by security or a film that cannot be broadcast is a shoot that was not planned. It is also why we do not quote a UAE production as if it were a two-person crew turning up with a camera.
Public space and location permits secured before the shoot day, with the paperwork on set.
Certified operators and flight approvals for the footage that sells property and hospitality.
Casting, model releases and the image rights the campaign needs.
Creative reviewed against UAE Media Council standards and sector advertising rules before release.
A UAE brand film that is shot in English and subtitled into Arabic is an English film. A campaign that reaches Emirati and Arab audiences properly is planned bilingual from the script: dialogue and voice-over written in the right register, whether Gulf Arabic or Modern Standard Arabic, typography that respects the script, and versions cut for each audience rather than one master with captions added at the end.
We plan both languages into the shoot, record voice-over natively, design motion graphics and titles with Arabic typography and right-to-left composition, and deliver versions that read as native in each language. For brands with South Asian or Filipino audiences in the UAE, we plan those languages the same way.
Written natively, not translated, in the register the audience uses.
Gulf or Modern Standard Arabic as the brief requires, recorded by native speakers.
Titles, lower thirds and animation designed for the script, not mirrored from English.
Separate cuts for Arabic, English and other audiences, planned from the shoot.
Ramadan is the most important production season of the year for UAE brands, and it is planned months ahead: creative that respects the month, shooting completed before it begins, and campaigns ready to run through iftar hours. Eid follows with a short, intense window. Summer moves production indoors and the audience partly abroad. The winter season, from Dubai Shopping Festival through the event calendar, is the busiest period for shoots and the hardest to book crews and locations at short notice.
We plan the production calendar with the agency team so that Ramadan creative is in the can by the preceding month, seasonal campaigns are shot in the right light and the right weather, and retainer clients have their winter dates held before the calendar fills.
Concept, shoot and post completed ahead of the month, with content that fits its tone.
Outdoor and lifestyle content scheduled for the months when it can actually be shot.
Conference, launch and exhibition coverage with same-week delivery.
Shoot days held in advance for the busiest months.
Every job starts with a brief that answers four questions: who is this for, where will it be seen, when does it need to exist, and what should happen after someone sees it. From that we produce a treatment or a shot list, a schedule, a permit plan and a version plan, and we agree the revision rounds before anyone picks up a camera. Pre-production is where UAE shoots succeed or fail, because permits, locations, talent and the calendar all take longer than the shoot itself.
The shoot day runs to the plan. Post-production follows with reviews at edit, grade and final, and delivery lands in every format the brief named. Source media and project files are archived and handed over, so the next production matches this one and nothing is shot twice.
Audience, channels, deadline and outcome agreed in writing.
Permits, locations, talent, schedule and version plan locked.
Edit, grade and final approved in defined rounds.
Every format delivered, source files handed over.
Most production companies deliver a film. We deliver a film that the agency team has already planned into a media schedule, that the technology team has a landing page ready for, and that the short-form calendar will carry for a month. That is the point of a production division inside a growth company: the brief comes from the campaign, and the assets go straight into it.
It also means the media is measured. The paid creative is tested and reported on, the organic content is tracked to enquiries, and the next shoot is planned from what the last one produced rather than from a calendar alone.
The version plan comes from the media plan.
The site is built for the content before the content arrives.
Paid and organic performance reported back to production.
What worked decides what is shot next.
Infynix Solutions is registered separately in India, the United Kingdom and the United Arab Emirates. This page covers United Arab Emirates. The same service, written for the other markets:
Yes, we handle planning, scripting, filming, editing, and final delivery.
Yes. Permits from the Dubai Film and TV Commission and the equivalent authorities in Abu Dhabi and Sharjah, location agreements, drone approvals and talent releases are handled as part of production, with the paperwork on set.
Yes, and we plan both from the script rather than subtitling one into the other. Native scripts, native voice-over in Gulf or Modern Standard Arabic as the brief requires, Arabic typography in motion graphics, and separate cuts for each audience.
Yes. We shoot across the Emirates, including Abu Dhabi, Sharjah, Ajman, Ras Al Khaimah and Fujairah, with travel and permits planned into the production.
Yes. Post-production on existing footage is a common starting point. We audit what exists and say honestly whether it will produce the result you want or whether a shoot is needed.
Yes. We produce under your brand, to your guidelines, with NDAs signed before any account is discussed.
The agency team plans campaigns and media, the technology team builds the sites and systems the content lands on, and the media team produces the assets. One brief produces the film, the paid creative, the organic calendar and the website imagery, so the brand looks like one brand everywhere.
Yes. Launches, exhibitions and corporate events across the Emirates, with photography, highlight films and social clips delivered within the week, and live-to-social coverage where the event calls for it.
Yes. Voice-over is recorded by native speakers in Gulf or Modern Standard Arabic as the brief requires, and motion graphics and titles are designed for Arabic script and right-to-left composition rather than mirrored from English.
Content, film and production
Brand films, photography, motion graphics and short-form social content, produced in house.