Content planning
A monthly session setting themes, hooks, offers and the shoot list, in Arabic and English.
High-impact short-form video content for Instagram Reels, TikTok, YouTube Shorts, and LinkedIn, produced and optimised for maximum reach and engagement. Brands struggle to produce consistent, high-quality short-form content at the volume required to grow on social platforms. Regular, algorithm-optimised short-form video is the highest-leverage channel for organic reach and brand discovery in 2024.
OUR CAPABILITIES IN
Short-Form & Social Content
We define content pillars and platform priorities.
We write hooks and scripts for each video concept.
We film on location or remotely with provided footage.
We edit, caption, and optimise each video for its platform.
We publish content on the optimal days and times.
We report on reach, views, and engagement monthly.
Short-form video is the dominant format in the UAE. TikTok, Instagram Reels, YouTube Shorts and Snapchat reach a larger share of the population here than in almost any market, in Arabic and English, and a brand that is not publishing vertical video weekly is invisible to a large part of its audience.
The problem is not making one Reel. It is making twenty a month, consistently, in both languages, without treating each as a production. The answer is planning: one well-run shoot day produces a month of content when the setups, scripts, wardrobe and locations are decided in advance, and the editing is done for each platform rather than once for all of them.
We run monthly shoot days across the Emirates for retail, hospitality, real estate, healthcare, education and corporate brands, and hand over a scheduled calendar of captioned, platform-cut clips with the performance of this month deciding the next.
A monthly session setting themes, hooks, offers and the shoot list, in Arabic and English.
Planned setups producing 15 to 25 finished clips, with presenters, creators or your own team on camera.
Vertical cuts with hooks, captions and pacing built for each platform, not one edit cropped four ways.
Open captions in Arabic and English, because most feed video is watched muted.
UAE creators matched to the brand on audience fit, with deliverables and tracking agreed.
A month of content approved in one pass and scheduled.
The strongest clips cut to ad specification for the agency team to run.
What reached, saved and produced enquiries, feeding the next shoot.
| Format | Typical cadence | Delivery |
|---|---|---|
| Reels, TikToks and Shorts | 12 to 20 per month | 9:16 with open captions |
| Stories | Daily | Native formats with stickers and links |
| Snapchat | Where the audience fits | Vertical, short, sound-on |
| Creator content | 1 to 4 collaborations per month | Usage rights agreed |
| Paid cutdowns | From the top performers | 6, 15 and 30 second versions |
Product, offer and unboxing content that drives Ramadan, DSF and everyday demand.
Venues where a Reel decides who books on a Thursday night.
Agents and developers building an audience with property walkthroughs and area content.
Educational content that builds trust within advertising rules.
Thought leadership in Arabic and English without consuming a day a week.
Planning, a shoot day, editing, captions and a scheduled calendar each month.
Shoot days and editing for an in-house team that runs its own channels.
A concentrated production for a launch or a season, delivered as a set.
The UAE has one of the highest rates of social media use in the world, a young population, near-universal smartphone ownership and a culture that consumes video in Arabic and English side by side. TikTok and Snapchat over-index here compared with Europe. Instagram is where hospitality, retail and real estate are discovered. A brand that publishes vertical video weekly, in both languages, is present in the place its customers actually spend their attention.
The brands that win are not the ones with the biggest budgets. They are the ones with the most consistent rhythm, the sharpest hooks and the willingness to test. That is what a planned monthly production gives you.
Arabic and English content planned together, not one translated into the other.
TikTok, Reels, Shorts and Snapchat each edited for their own pacing and audience.
A rhythm the brand can sustain for a year, not a burst that stops.
Hooks and formats tested every month, with the numbers deciding.
A shoot day works when everything is decided before it: the twenty ideas, the scripts, the locations, the wardrobe, the props, the presenter and the order of setups. It fails when the day starts with a discussion. We plan the day in the monthly session, arrive with a shot list, and leave with the raw material for the whole month.
Editing follows for each platform, captions are written natively in both languages, and the calendar is approved in one pass. The performance data from this month sets the plan for the next, so the content gets sharper rather than repeating itself.
Every idea scripted and scheduled before the day.
Your team, our presenters or matched creators, decided by the brief.
A scheduled calendar reviewed once, not clip by clip.
Performance decides the next shoot.
Social content in the UAE lives under the same content standards as advertising. The UAE Media Council standards apply, creators who advertise need the relevant licence, healthcare content answers to DHA and DoH, real estate content needs its permit numbers, and platforms add their own restricted-category rules. A viral clip that breaches any of them is a liability rather than an asset.
We keep a checklist per sector and review content against it before it is scheduled, and creator collaborations are set up with the licensing and disclosure the rules require.
Reviewed against UAE Media Council standards before scheduling.
Collaborations set up with the licence and disclosure required.
Healthcare, real estate and financial content checked against their regimes.
Restricted-category requirements met before content is promoted.
The most effective short-form for professional and B2B brands in the UAE is a founder or a senior person speaking plainly about what they know. It builds trust faster than any brand animation, and it is the format LinkedIn, Instagram and TikTok reward. The obstacle is time: a busy executive cannot record every week. The answer is batching: one planned session a month, with questions prepared and the setups ready, produces the month's content in an hour on camera.
We prepare the prompts, run the session, and cut, caption and schedule the clips in both languages, so the executive gives up an hour and the brand publishes for a month.
Questions and angles written from what the audience actually searches and asks.
An hour on camera producing the month's clips.
Vertical clips with captions in Arabic and English.
Published on a rhythm, with the numbers deciding the next prompts.
Short-form in the UAE has a calendar. Ramadan changes browsing hours, tone and offers, and the content that works is planned and shot before the month begins. Eid opens a short buying window. Summer moves the audience abroad and the content indoors. Dubai Shopping Festival, National Day and the winter event season crowd the feeds with retail spend. A brand that publishes the same content at the same rhythm all year is invisible in the seasons that matter.
We plan the year with the agency team, shoot seasonal content in advance, and pair it with paid campaigns timed to the buying windows, so the brand is present through the season rather than once on the day.
Planned and shot ahead, with tone and timing that fit the month.
Eid, summer, DSF and National Day content produced in advance.
The strongest seasonal clips cut for ads and run by the agency team.
One plan for content, creative and offers, reviewed each quarter.
Infynix Solutions is registered separately in India, the United Kingdom and the United Arab Emirates. This page covers United Arab Emirates. The same service, written for the other markets:
Planned properly, 15 to 25 finished vertical clips. The number depends far more on how many setups are scripted in advance than on the hours on site.
Yes. Scripts and captions are written natively in Arabic and English by native speakers, and for most UAE consumer brands the Arabic versions are planned first.
Yes. Creators are matched on audience fit rather than follower count, licensing and disclosure are handled, and each collaboration is reported on what it produced.
Yes. Editing existing footage into short-form is a common starting point and considerably cheaper than a new shoot, provided the raw material has enough coverage. We will say honestly if it does not.
The Infynix Agency team does, with the strongest clips cut to ad specification and run as measured campaigns with the Conversions API and tracked enquiries.
Yes, and it is usually better. Real premises, products and people outperform studio content for most UAE brands, and permits are handled where the location needs them.
Yes. One prepared session a month produces the month's clips: prompts written from audience questions, an hour on camera, clips cut and captioned in both languages, scheduled and measured.
Instagram Reels, TikTok, YouTube Shorts, Snapchat and LinkedIn, each edited for its own pacing and audience rather than one edit posted everywhere.
Yes. Seasonal content is planned with the agency team, shot in advance and paired with paid campaigns timed to the buying windows, so the brand is present through the season rather than posting once on the day.
Reach, saves and profile visits as leading indicators, and enquiries, WhatsApp conversations and revenue as the measure, reported monthly and used to plan the next shoot.
Yes. Founder, team and expertise clips are cut for LinkedIn alongside the consumer platforms, with captions and pacing suited to a professional feed.