Format and episode planning
The show concept, the format, the guest pipeline and a season plan that can actually be sustained.
End-to-end studio podcast recording, sound engineering, mastering, and multi-channel audio distribution. Brands struggle to produce consistent, high-quality short-form content at the volume required to grow on social platforms. Regular, algorithm-optimised short-form video is the highest-leverage channel for organic reach and brand discovery in 2024.
OUR CAPABILITIES IN
Podcast & Audio Production
We define content pillars and platform priorities.
We write hooks and scripts for each video concept.
We film on location or remotely with provided footage.
We edit, caption, and optimise each video for its platform.
We publish content on the optimal days and times.
We report on reach, views, and engagement monthly.
Podcast and audio production in the UAE for brands, founders and organisations who want a series that lasts: episode planning, recording in studio or on location, editing, mixing, show notes written for search, distribution to the platforms and the video cutdowns that grow an audience. In Arabic and English.
The Arabic-speaking world has one of the fastest-growing podcast audiences anywhere, and the UAE is its production hub. Most brand podcasts still stop after six episodes, because nobody planned who would edit, publish and promote them. A podcast is a publishing operation, not a recording, and the schedule matters more than the microphone.
We produce for founders and executives, professional services firms, real estate and property groups, healthcare providers, media and entertainment brands and organisations building a public voice, as a recurring programme rather than a one-off.
The show concept, the format, the guest pipeline and a season plan that can actually be sustained.
Studio recording in Dubai or on location across the Emirates, with video captured alongside audio.
Dialogue cleanup, structure, music and a mix that sounds right on earbuds in a car on Sheikh Zayed Road.
Bilingual shows, or separate series for each audience, produced natively.
Notes, transcripts and titles written so episodes surface in search and AI answers, not as a transcript dump.
Apple Podcasts, Spotify, Anghami, YouTube and the platforms your audience uses.
Vertical clips from every episode for Instagram, TikTok and LinkedIn, because that is how a podcast grows.
Outreach, scheduling, briefing and the releases that let you publish.
| Output | Turnaround |
|---|---|
| Edited and mixed episode | 3 to 5 working days from recording |
| Show notes, transcript and titles | With the episode |
| Vertical video clips, 4 to 6 per episode | Within 5 working days |
| Full video episode for YouTube | Within 5 working days |
| Season launch package | 3 to 4 weeks from format sign-off |
A regular, considered voice in the market without consuming a day a week.
Firms whose expertise is the product and who need a channel that demonstrates it.
Market commentary and area content for buyers and investors in the UAE and abroad.
Practitioner-led education within advertising rules.
Series built to grow an audience and a sponsor base.
A planned run of episodes produced, published and promoted on a fixed schedule.
Weekly or fortnightly episodes on a retainer, with the guest pipeline managed.
Format, identity, trailer and the first episodes, for a series your team then runs.
Podcast listening across the Arabic-speaking world has grown faster than almost any other media format, with the Gulf leading, and the platforms have followed: Anghami and Spotify invest in Arabic originals, YouTube carries a large share of listening as video, and Apple Podcasts has an established Arabic chart. A UAE brand that publishes in Arabic reaches an audience that is large, engaged and underserved by quality production.
We produce Arabic and English series natively, with hosts and guests recorded in the language they think in, and we plan bilingual shows where the audience is genuinely both rather than forcing one language onto the other.
Arabic series produced by Arabic-speaking producers, not translated formats.
Anghami, Spotify, Apple and YouTube weighted for the audience.
Shows that move between languages designed deliberately.
Register and topics chosen for where the listeners are.
Audio alone does not grow an audience in the UAE. The clips do: a guest saying something sharp, cut vertical with captions, posted to Instagram, TikTok and LinkedIn, is what brings new listeners to the full episode. Recording video alongside audio costs little extra on the day and produces the marketing for the show. Recording audio only produces a show nobody discovers.
Every episode we produce is recorded with video, published in full on YouTube where the format suits it, and cut into four to six vertical clips with captions in the episode language.
Multi-camera in studio, or a compact setup on location.
The moments that travel, captioned and scheduled.
Where the format and the audience suit it.
What brought listeners, feeding the next episode and the next guest.
The failure mode is universal: a series launches with energy, the founder records three episodes, editing falls behind, guests are hard to schedule, and the show quietly stops. What prevents it is production discipline: a season plan, a guest pipeline booked weeks ahead, recording sessions batched, a fixed publishing day and a team responsible for getting each episode out.
We run the show as a publishing operation, batch recordings so the host gives up half a day a month rather than an hour a week, and keep the pipeline full so the schedule holds.
Episodes, themes and guests mapped before launch.
Several episodes per session so the host is not recording weekly.
Outreach and scheduling handled, weeks ahead.
A schedule the audience can rely on.
A brand podcast in the UAE can pay for itself once it has an audience, through sponsorship, through the pipeline it produces for the host's business, or both. Getting there needs more than good episodes: consistent publishing, clips that travel, guests whose audiences overlap with yours, search-ready notes so episodes surface when someone searches the topic, and a distribution mix weighted for where Arabic and English listeners actually are.
We treat growth as part of production, with a monthly view of downloads, watch time, clip reach and the enquiries or sponsor conversations the show produced, and we plan guests and topics from it.
Guests chosen for audience overlap, not just availability.
Titles and notes written for the questions people search.
Vertical clips scheduled across Instagram, TikTok and LinkedIn.
Downloads, watch time, reach and outcomes, feeding the next season.
Audio quality is the one thing a listener will not forgive. A brilliant conversation recorded in an echoing meeting room in a tower with the air conditioning running sounds amateur, and the listener leaves in the first minute. Studio recording solves it for a fixed format. Location recording, done with the right microphones, treatment and monitoring, produces better conversations for guest formats and can sound just as produced.
We record in studio in Dubai when the show suits a fixed set, and on location across the Emirates with a portable kit and an engineer who treats the room before the host arrives. Post-production cleans what the room leaves behind.
A fixed set for shows that record weekly.
Portable recording with room treatment and an engineer on site.
Multi-camera in studio, compact setup on location.
Noise, room tone and levels repaired in the mix.
Infynix Solutions is registered separately in India, the United Kingdom and the United Arab Emirates. This page covers United Arab Emirates. The same service, written for the other markets:
Not necessarily. We record in studio in Dubai when a fixed set suits the show, and on location with portable kit when it produces better conversations, which for founder and guest formats it often does.
Yes, natively, with Arabic-speaking producers, and distribution weighted to the platforms Arabic audiences use, including Anghami and YouTube.
Yes. Hosting, distribution to Apple Podcasts, Spotify, Anghami, YouTube and the rest, show notes written for search, and the analytics that tell you what is working.
Yes. Guest outreach, scheduling, briefing and the releases that let you publish are part of an ongoing programme.
Yes, and you should. Every recording is captured with video, published in full where the format suits it and cut into vertical clips that do most of the work of growing the audience.
With batched recording, typically half a day a month for a fortnightly show. Planning, guests, editing, publishing and promotion are handled by the production team.
Yes, when it is run as a publishing operation. Guests chosen for audience overlap, search-ready episodes, clips that travel and consistent publishing produce enquiries and sponsor conversations, and we report on both monthly.
Yes. Format, name, cover art, intro and outro, trailer and the first episodes are produced as a launch package, whether we then run the show or your team does.
Yes. A portable kit with an engineer who treats the room produces studio-standard audio in most offices, and for regular series a fixed setup at your premises is often the practical answer.
Three to four weeks from format sign-off to the first published episode, including identity, trailer and a bank of episodes so the schedule holds from day one.
Yes. Notes, titles and transcripts are written natively in the episode language, structured for search and for AI assistants that answer questions from podcast content.
Yes. Internal series for staff, members or clients are produced to the same standard and distributed privately through the platforms that support it.