Explainer films
Script, storyboard, illustration, 2D and 3D animation, voice-over and sound for products and services that need explaining.
Professional motion graphics and animation for UAE brands, explainer videos, animated logos, product demos, and 3D renders. Complex products and services are difficult to explain through static content, causing confusion and low conversion rates. Animated explainers reduce the cognitive load on prospects and increase conversion rates by making the offer immediately clear.
OUR CAPABILITIES IN
Motion Graphics & Animation
We write a clear, concise animation script aligned to your message.
We illustrate each scene with a visual storyboard for approval.
We create all visual assets, characters, and 3D models.
We animate all elements with smooth motion and timing.
We add music, SFX, and voiceover to the animation.
We deliver in all required formats for web and social media.
Motion graphics and animation for UAE brands whose product is difficult to film: software, financial services, logistics, government services, industrial products and anything where the thing being sold is a process rather than an object. Explainers, product animation, data visualisation, titles and the animated systems that make a brand recognisable in motion.
Animation in the UAE has a requirement most studios treat as an afterthought: Arabic. Typography, right-to-left composition, bilingual layouts and the timing of Arabic voice-over all change how a piece is designed, and an English animation with Arabic text dropped in reads as exactly that. We design both languages from the storyboard.
We produce for fintech and banking, technology and SaaS, logistics and industrial companies, government-adjacent organisations, healthcare and education, and for the agency and media teams who need animated components in campaigns and films.
Script, storyboard, illustration, 2D and 3D animation, voice-over and sound for products and services that need explaining.
Software interfaces, apps and platforms shown in motion, accurately and attractively.
Reports, results and figures animated for investor, board and public audiences.
Logo animation, titles, lower thirds and transitions that make every film and post recognisably yours.
Type, kerning and right-to-left animation designed for the script rather than mirrored from English.
Products, spaces and mechanisms rendered and animated where filming cannot show them.
Animated posts, stories and ad units at the volume a campaign needs.
Versions in Arabic, English and the other languages your audience uses.
| Production | Typical timeline |
|---|---|
| Explainer, 60 to 90 seconds, 2D | 3 to 5 weeks |
| Product or UI animation | 2 to 4 weeks |
| Brand motion system | 3 to 5 weeks |
| 3D product visualisation | 4 to 8 weeks |
| Social motion set | 1 to 2 weeks per batch |
Products and processes that cannot be filmed, explained for customers and regulators.
Platforms shown in motion for sales, onboarding and paid campaigns.
Services and processes explained bilingually for the public.
Operations, mechanisms and systems visualised for buyers and investors.
Procedures, programmes and outcomes explained clearly.
Script to delivery on a fixed scope with revision rounds at storyboard, animatic and final.
A monthly block for campaign, social and product motion at the volume a marketing team needs.
A motion identity built once and documented for every future film and post.
Arabic is a connected, right-to-left script with its own rhythm, and it does not survive being pasted into an English layout. Letterforms need the right typefaces and kerning, text animates in from the right, layouts mirror, and voice-over timing differs because the same idea takes a different length to say. A bilingual animation designed only in English and localised afterwards ends up with cramped text, wrong reading order and awkward pacing.
We design both languages from the storyboard, with Arabic typography chosen for the piece, layouts composed for each direction, and voice-over recorded natively in Gulf or Modern Standard Arabic so the timing is right from the start.
Both languages composed at the storyboard stage, not adapted later.
Typefaces and kerning that respect the script in motion.
Layouts and animation direction designed for Arabic reading order.
Recorded by native speakers, with timing built into the edit.
A payments platform, an insurance product, a logistics network or a government service has no photogenic surface. Filming it produces stock footage of people pointing at laptops. Animation is the right medium when the thing you sell is a process, because it can show the process itself: what happens, in what order, with what result. Done well, a ninety-second explainer becomes the sales asset, the onboarding film and the paid creative at once.
We start with the script, because that is where an explainer succeeds or fails, then storyboard, illustrate and animate with a review at each stage so the client is never surprised by the final.
The argument and the structure written before a frame is drawn.
Reviewed and approved before animation begins.
Built from your brand identity, not a stock style.
Voice-over, music and sound design that carry the piece.
Brands that publish video weekly need more than one animated logo. They need a system: titles, lower thirds, transitions, caption styles, end cards and social templates that any editor can apply so every film and post is recognisably the same brand. Without it, every video is designed from scratch and the brand drifts.
We build motion systems as documented template packages, in Arabic and English, handed over so in-house teams and other editors can use them.
Titles, lower thirds, transitions, captions and end cards.
Every element designed for Arabic and English.
Rules and files so any editor stays on brand.
Project files in your name, usable without us.
The UAE is the financial and fintech hub of the region, and the products built here, payments, lending, wealth, insurance and the platforms behind them, are among the hardest things to explain and the most regulated to advertise. An explainer for a regulated product has to be accurate, carry the disclosures the regulator requires, and still hold attention for ninety seconds. Animation is the medium that can do all three.
We produce financial explainers with the compliance team in the review loop from the script stage, with disclosures designed into the piece rather than appended, in Arabic and English.
Scripts written with the product and compliance teams.
Required wording placed and timed as part of the piece.
Arabic and English versions with native voice-over.
Reviewed against the applicable promotion rules before release.
Most of the motion work a UAE brand needs is not a standalone explainer. It is the animated title in a brand film, the data sequence in an investor video, the animated product hero on a website, the transitions in a month of Reels and the ad units in a paid campaign. Produced separately by different suppliers, none of it matches. Produced by the same team that makes the film, runs the campaign and builds the site, it reads as one brand.
We build motion into every Infynix production and site where it earns its place, and we keep it restrained: animation that clarifies or delights, never animation that slows a page or distracts from the offer.
Titles, lower thirds, data and transitions designed for the film.
Animated ad units and social motion at the volume a campaign needs.
Product heroes and micro-interactions that stay within performance budgets.
The same motion identity everywhere the brand appears.
Infynix Solutions is registered separately in India, the United Kingdom and the United Arab Emirates. This page covers United Arab Emirates. The same service, written for the other markets:
Sixty to ninety seconds for a paid-media or website asset, two to three minutes for a sales or onboarding piece. Longer than that and completion rates fall sharply, so we would rather produce two shorter films.
Yes, from the storyboard. Arabic typography, right-to-left composition and native voice-over timing are designed in, not applied to an English layout afterwards.
Yes. Scripting is where an explainer succeeds or fails, so it is part of the engagement rather than something we ask you to supply. We write with your subject matter experts.
Yes. Working from your established identity is faster and produces a more consistent result than designing a new visual language for one film.
Yes, for product visualisation, spaces and mechanisms where 2D cannot show what matters. We recommend 2D or 3D from the brief rather than a preference.
Yes. Motion systems are delivered as documented template packages in your name so in-house editors and other suppliers can apply them.
Yes. Scripts are written with the product and compliance teams, required disclosures are designed into the piece, and versions are reviewed against the applicable promotion rules before release, in Arabic and English.
The product or process to explain, access to a subject matter expert, brand guidelines and a decision maker who can approve script, storyboard and animatic within a few days each.
Yes. Web motion is built to stay within performance budgets, with formats and loading handled by the technology team so Core Web Vitals hold.
Yes. Native voice-over in Arabic and English, licensed music and sound design are part of the production, with the rights documented and handed over.
Defined rounds at script, storyboard, animatic and final, agreed in the scope before work starts, so changes happen where they are cheap rather than after animation is complete.
Yes, though it is a redesign of the typography and layout rather than a text swap. We rebuild the type, mirror the composition where needed and re-time to native voice-over so the Arabic version reads as native.